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Drummers Sharing Tips, Tricks and Knowledge on subjects such as Drum Tuning, Drum Rudiments, Paradiddles, Shuffles, Groove Ideas,
Drum Kit Dynamics, Drum Fills, Triplets, Drum Micing, Drum Recording, Changing Drum Heads and so much more.
Today's lesson will allow everyone to create there own fills from this sticking formula. This is a continuation from Triplet Warm-Up #1 Part 2, so if you're not sure what's going on please check out that lesson first. https://drummerconnection.com/drumlessons/4386-triplet-warm-exercise-part-2 Once the concept is comfortable, it's time for you to customize your own fill ideas by combining 1,2,3 or 4 beat accent combinations between your right and left hand. Remember, the sky's the limit here so have fun and be creative!
Today's lesson is very similar to Applying Triplets to Fills Part 1. We're still going to practice playing the basic accent patterns (from the Triplet Rhythms PDF download) as rim shots on the snare drum while keeping the steady flow of 8th note Triplets going in between. For today's workout, now all of the accents must be played with your right hand. This concept will force you to use various mixed sticking patterns to achieve this steady flow. I'll give you some examples of patterns that work for me. Hopefully you'll be able to use your creativity and experiment with some sticking patterns of your own. This is a great way to work on developing your own voice or personality for the kit. Remember, you have to keep the steady flow going in between all of the right hand accents. This one can be a little challenging. Just start off very slow and gradually build up speed.
This lesson is going to explore a fill idea that phrases groups of 5 over a steady flow of 16th note triplets. Because this concept can be a little tricky, in part 1 we're going to concentrate on getting the sticking and phrasing down on the snare drum while bringing in the feet underneath as a great warm up exercise. We'll begin to move this idea around the kit in Part 2.
by webadmin on 08/25/2010 | 9,594 Views | 2 Comments
You'll learn this very cool drum fill used by Steve Gadd, Dave Weckl, and many other top drummers. Tracy explains how to take this fill and create your own unique drum fills.
Today's lesson is going to continue our study of phrasing groups of 7 over a steady flow of 16th notes. We're going to keep the sticking the same RLRLRLL and now look at playing this pattern over 2 bars of 16th notes. Enjoy!
In this lesson, I’m going to share a fill idea that I’ve been asked about before by my students. It’s a one beat sticking pattern that I picked up years ago. The sticking is like a 6 Stroke Roll but it’s phrased as 16th Note Triplets. This fill fits nicely in a lot of different musical settings. Enjoy!
Here's a nice 32nd note lick from the Guitar Centre Drumoff's 08 winner Jerome Flood II.Rhythm: 32nd NotesSticking: LFRL FRLF, LFRL FRLF, LFRL FRLF, LFRL FRLF Chart: If you missed Jerome’s 2008 performance check out the video below. He combines some nice gospel style licks, latin beats and stick tricks. Look out for our lick at the 4:50 mark… http://www.youtube.com/watch?v=6D9LGuVWpaQ
Here's a nice lick that I picked up off the John Blackwell DvD - Technique, Grooving and Showmanship. He calls it the Marcus Willams Pattern. In this video I am playing the hands in unison but you can also play them as single strokes around the kit which transforms the feel and sound of the lick. Rhythm: 16th Notes Sticking 1: R/LFR/LF, R/LFFR/L, FR/LFR/L, FFRL (Hands In Unison) Sticking 2: RFLF, RFFL, FRFL, FFRL (Single Strokes) Chart: Repeat the lick slowly until you have it down then push the pace and move it round the drums. See if you can come up with some nice sounding combinations. Once you are comfortable with this take the group of 7 (RFLF, RFF) and repeat it over 2 bars, 3 bars and 4 bars.
Today’s lesson will explore playing a steady flow of 16th Note Triplets as doubles while catching accents written out on the PDF download. This one is fun!!
Today’s lesson will take a look at phrasing Groups of 7 as 16th notes over 1 bar. This is very similar to 1 Bar Groups of 3 & 5, all we’re doing is adding two extra notes to the phrase. Enjoy!
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