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We’re just under the three-week mark until the masses (our goal is to attract “the masses”) descend on the great Georgetown neighborhood of our beautiful and bountiful (cherries, apples, crab, grunge, et cetera) city, Seattle, WA, to celebrate the 25th Anniversary of consecutive years of business operation in what we’re calling the Sub Pop Silver Jubilee. On July 13th, a large number of bands in the immediate and extended Sub Pop family will populate a few stages scattered around Georgetown in this entirely FREE-TO-ENTER celebration of ourselves. In the previous several weeks, we’ve been introducing/reintroducing you to the artists playing the festival in a weekly column we’ve been calling Getting To Know Us; this week, we’re here to tell you a bit about the Toronto band, METZ, and a legendary Seattle-based band called The Mudhoney.
Canadian good guys Hayden, Alex, and Chris are the building blocks of METZ, the Toronto-based noise mongers. They punish ears with the basic formula of drums, bass, guitar and vocals, but they manage to do it in a way completely unto themselves and in a manner that will have you saying after every song, “Thank you, sir, may I have another”, and they will oblige. Watch the video for “Wet Blanket” from their 2012 debut, METZ.
Mudhoney are a difficult band to introduce/reintroduce to you in such short form because of their legendary status and their lynch pin-importance to the formation (and sustainment) of Sub Pop—which is to say, I’m going to blow it trying. Mudhoney have been a band for 25 years now, have released a lot of records, toured endlessly, and were one of the triggers that placed Seattle squarely in the center of the universe in the early nineties. They’re also possibly the only band that left Sub Pop for a different record label and later got back together with us so we could continue to make sweet music together—if Sub Pop had a spouse, it’s certainly Mudhoney. Like I said, I was going to blow it trying to tell you about the Mudhoney’s greatness, and I have succeeded in that. So, please just watch the accompanying video for “I Like It Small” from Vanishing Point and than you should probably watch the video for my favorite Mudhoney song ever, “Good Enough”, from 1991’s Every Good Boy Deserves Fudge.
METZ and Mudhoney, two bands by themselves that could fill the entire neighborhood of Georgetown with “masses”, but only two of many bands playing the FREE Sub Pop Silver Jubilee. Join us July 13th for the festivities; your ears will be ringing with bliss when it’s all over.
For full event details, this is hyperlinked sentence you’re looking for.
I cannot deny that I love musical instruments crafted from the finest wood, but I also love it when an instrument builder jumps to the other end of the spectrum to use non-traditional materials.
Such is the case with the Normandy Alumicaster, a Tele-style electric guitar built in Salem, Oregon. The Alumicaster is constructed from aircraft-grade aluminum, a material that Normandy claims offers more sustain than wooden guitars, but weighs only seven pounds.
Would you like to get your hands on one of these? Thanks to our friends at Reverb, one of you will! They are giving away a Normandy Alumicaster, along with a hardshell case and Normandy tee shirt.
Enter HereEntry Deadline: July 15, 2013
Eligibility: US-only, 18+